The History of Skateboarding
Skating is more than a sport; it's an attitude, a mindstate, and a lifestyle. It influences how you view the world, the clothes you wear, the company you keep, and the music you listen to.
The earliest contraptions resembling skateboards date back to the turn of the century. However, it was in the 1950s that skateboards began to replace scooters and wagons. Legend says surfers first used makeshift skateboards as a substitute for surfboards on flat-wave days.
As mass-produced boards spread inland, they replaced rustic backyard models, and adventurous youths developed their own recreational niche. Around 1962, the first boom occurred, with thousands of hardwood boards with clay-composition wheels being manufactured.
Improved boards and wheels allowed skaters to master difficult stunts, even though trucks were still the same as those on roller skates. Teams and competitions showcased early masters' abilities. However, interest in skateboarding died in the latter part of the Sixties, except along the coasts.
In the mid-Seventies, Frank Nasworthy introduced a plastic urethane wheel, providing a smoother and faster glide. Increased traction allowed for harder turns, and skaters began practicing moves on steep hills, drainage ditches, and empty swimming pools. Skateboarding once again captured American youth's attention.
New skateboards were introduced daily, with components like trucks designed specifically for skateboards. Cement parks sprung up across the land. By the end of the Seventies, poor park design and high insurance costs shut down most of these parks, with only a handful remaining today.
Skateboarding went underground until the mid-Eighties, when the film "Back to the Future" sparked a new generation's interest. Skating was huge in the Eighties, characterized by big boards, big wheels, and big air.
As boards and wheels shrunk towards the end of the decade, so did the number of skaters. Kids quit skating when tricks became too technical, and skaters scrutinized each other's wardrobes and "vibed" each other more than they pulled tricks.
Now in the Nineties, skateboarding is blowing up again. The focus remains in the United States, but healthy scenes are thriving in Europe, South America, Australia, Japan, and anywhere there's cement, wood, or asphalt.
Yesterday's slalom king is today's street bombing downhill speed freak. New cement parks with movable and changeable wooden ramps are opening up frequently. Many skaters have returned to the streets and parking lots.
Skateboarding is still a young sport with room for anyone who wants to try it. Watching today's pro skaters leaves no doubt that anything is possible.
Skateboarding and Hip-Hop
Skateboarding and hip-hop are urban phenomena that puzzle parents, outrage neighbors, and summon authorities. Devout skaters and hip-hop heads often face disapproving looks or encounter police ready to shut down their pastime. Born and bred in the streets, both cultures break rules, but outsiders fail to understand that youth's need for self-expression knows no boundaries.
Skateboarding and hip-hop serve as the rhythm and beat of the concrete jungle, custom-made for risk-takers who find new uses for empty pools or old records and turntables.
While the mainstream popularity of skating and rap fluctuates, both cultures survive thanks to the streets. Together, these modern revolutions are a banging blend of laid-back West Coast style and hard East Coast aggressiveness. They complement each other like Santa Cruz decks and Independent trucks or Technics 1200 and Vestax mixers.
Legendary Tunes
Gathered here are legendary tunes that have shaped a nation of skate rats and b-boys.
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"Rapper's Delight" (Sugar Hill, 1979) by the Sugarhill Gang is recognized as rap's first smash hit, inspiring a legion of rappers. Like skating, this selection is pure fun.
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The never-ending electrobeat of Afrika Bambaataa & The Soul Sonic Force's "Planet Rock" (Tommy Boy, 1982) perfectly exemplifies a sweaty, all-day skate session.
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"White Lines (Don't Do It)" (Sugar Hill, 1983) by Grandmaster Flash & The Furious Five showcases Melle Mel's champion skills and changed hip-hop forever with its socially-conscious anti-cocaine stance.
The History of Hip Hop
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"King Of Rock" (Profile, 1985) by Run-D.M.C. took rap higher than a Christian Hosoi "Christ Air" by meshing it with rock. Its influence will be felt well into the 21st Century.
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The Ultramagnetic MC's demonstrated with "Kool Keith Housin' Things" (Next Plateau, 1986) that rap was more than just rehashing old music. The future Dr. Octagon's offbeat mental musings were ahead of their time.
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"Rebel Without A Pause" (Def Jam, 1987) by Public Enemy merged rap and politics in a way kids could understand, making P.E. one of the greatest groups in any musical genre.
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Eric B. & Rakim's "I Know You Got Soul" (4th & B'way, 1987) took James Brown samples to the next level.
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Stetsasonic's "Talkin' All That Jazz" (Tommy Boy, 1988) defended rap music from critics who claimed it relied too much on past music.
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Nobody came harder with hardcore funk than Strong Island's EPMD. "I'm Housin'" (